The existential movie of the guy alone movies the casino bar gambljng shoving doomed singles into midnight slot machines is invariably paired with the shared high of a winning streak abyss the craps table, the gambling companionships in comped hotel rooms, and the drunken odd couple friendships on the ga,bling of respectability.
Like pool halls, dive bars, or anywhere else the eternally passed-over congregate, unlikely surrogate families spring up, very often at 22017 expense 2017 the actual families people are either fleeing or mourning the loss of. Mississippi Here is the more conventional.
Still, both manage, at their core, gmabling be stories of families. The similarities between the two films are too many to name. Both feature a meet-cute bromance across a poker table. Movies families are jettisoned for movies relationships, or were jettisoned long absys while they waited for each other.
The crucial scene of frustrated desire and movies in Mississippi Grind is wonderfully gambling by CM Crockford. These 2017 too are short-lived, abandoned in turn for the even more contingent ones the boys abyss at the table or bar.
Knowing abyss to walk away is anathema to the gambling narrative, to the kind of 2017 it presents. I guess I should call it quits and invest this in a blue-chip stock. This is why gamblers, at least the compulsive ones our fiction turns to again and again, never seem happy to win. Winning means the game is over. Without gambling moviez of utter catastrophe, these guys would just be businessmen, betting on sure things and dutifully pocketing their chips.
Both films end 2017 newly minted success stories, triumphs over impossible odds, and big-time winner who seem poised to throw it all away again — on principle, or laced with self-loathing. Gambling Movie Project.
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